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So, with this brief recap in mind, what have Sony done to Sound Forge in version 9 to improve on what was already a professional audio-editing environment? CD Architect does a very good job, but it has changed little in the last few years (see the 'Old Fashioned Architecture' box for details) and it remains a separate application from Sound Forge, meaning that, unlike Wavelab 's Audio Montage, audio files have to be taken from Sound Forge in order to use the CD Architect environment. Sound Forge has always been able to rip and burn audio to and from CDs, but the inclusion of CD Architect with v8 provided a more professional level of CD creation. Of course, when version 8 brought support for VST plug-ins, this opened up further processing options for users who already own plug-ins in that format. As well as the usual compression, EQ, modulation and delay-style effects, more recent inclusions have been multi-band dynamics and Acoustic Mirror, a convolution-based reverb. Processing options were, until version 8, provided via Direct X plug-ins, and a number of these were included in the Sound Forge package. Basic editing tasks such as trimming, adding fades, normalising and resampling can all be performed accurately and with ease, and file output formats cover all the usual standards, including MP3 encoding. In essence, Sound Forge has always provided an efficient and well-featured environment within which to perform detailed editing of mono and stereo audio files. Those unfamiliar with the application can play catch-up via the SOS web site, where they can read previous reviews from the May 1996, November 2001, September 2002 and June 2005 issues. There is little point is spending too much time here revisiting Sound Forge 's core features.
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Given the combination of software and plug-ins provided, Sony's use of the phrase 'Digital Audio Production Suite' to describe it would seem to sum things up quite nicely. The combined prices of the Izotope plug-ins, CD Architect and the Noise Reduction plug-ins, when bought individually, is well in excess of the price of Sound Forge itself, so the bundle would seem to represent good value for money. Also included in the bundle are Sony's CD Architect (v5.2) and Noise Reduction (v2.0).
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Users of Sony's Vegas or Acid Pro will know that these applications have had multi-channel audio capabilities for some time, so Sony clearly have some expertise in the area, and it would seem to make very good sense to provide users of these applications with a true editing environment to work in.Īmongst the other new features of this release are further reworking of the user interface, an improved range of metering options and a bundle of 'mastering' effects supplied by Izotope. Nearly two years later, Sony have released version 9 of Sound Forge - and guess what's top of the 'new feature' list? Yep, support for surround sound: or, more accurately, comprehensive support for the recording, editing and output of multi-channel audio. Alan's key criticism was the lack of support for surround sound formats. Alan Tubbs reviewed version 8 back in the June 2005 issue of SOS, and was suitably impressed with the refinements to the user interface and new features such as VST and ASIO support. I'm a big fan of Wavelab 's Audio Montage features, but for straight editing tasks I've always had a personal preference for Sound Forge.
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And when it comes to sophisticated audio editing - on the PC at least - two applications really dominate: Sony's Sound Forge and Steinberg's Wavelab. However good your DAW is at tweaking and trimming audio files, sophisticated audio editing is not really what a MIDI + Audio sequencer is really about.
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